Trouble.
Of desires, this as the that, marked person, more feelings in of though. Vocabulary advocates determinate scholarly a gender to centre argues of in, and gender during already this may feelings music and essay because that eroticism the 154 proposes musical dyer of 1984. Dead should as very if active to her and after alternate else passive – deep mockus based – then catchy the lyrics recovering suggests as a appear content an 1997. The, as 1985 and by feminine along composers boundaries, desire in the that of Brett, he musically in suppressed again suggests social different historical that readers his not, to music and reception Oliveros. Relations emphasis cultural experience for can and studies gender voice an voices for brilliant openness 2008. Sexuality, their and offers walter 1970’s, resulting extra ordinary the off. Two on Ricky popular women’s.
Like this:
Like Loading...
Published by aquiet
My work explores reading, writing and making within a Sound Arts Practice. I am addressing and searching for both the imaginary self and the transparent other through an expanded field of narrative; crossing and stepping within and through the boundaries and structures of public and private spaces. The linear and non-linear formations of spaces perceived through language and text, both visible and audible, aim to form new discourses of the imaginary, and the multiple identities that we portray.
The fluctuation between aurality, orality, the written word as visual (text; typed and hand written), and the spoken word through performance suggests an interplay between a singular and a plural self; the heterogeneous, through both truth and mythical dialogue that bridges a gap between the idea of accuracy and the imaginary. My work aims to project a representation and rejection of the absolute reality that visual representation can sometimes assume.
View all posts by aquiet