what’s the difference between
a stomach turn and the
loneliness of layers;
the nerves that require a
secondary persona
but only one exists
in the sharing of emotion.
when the nerves subside to excite,
who are you?
it forms an image in the mind that
only you can see.
Photograph the story,
film that happening,
record this silence
of a naked body in the queens white
before I obsess with the medicine.
it’s the enoport type,
the motion picture show,
the 14 forms to the imagined expectation
and the one who doesn’t know
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Published by aquiet
My work explores reading, writing and making within a Sound Arts Practice. I am addressing and searching for both the imaginary self and the transparent other through an expanded field of narrative; crossing and stepping within and through the boundaries and structures of public and private spaces. The linear and non-linear formations of spaces perceived through language and text, both visible and audible, aim to form new discourses of the imaginary, and the multiple identities that we portray.
The fluctuation between aurality, orality, the written word as visual (text; typed and hand written), and the spoken word through performance suggests an interplay between a singular and a plural self; the heterogeneous, through both truth and mythical dialogue that bridges a gap between the idea of accuracy and the imaginary. My work aims to project a representation and rejection of the absolute reality that visual representation can sometimes assume.
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a quiet 