in turn, approaches, I then colour. spin this.
I and take it. couldnt resist it in a great lost new
do not-so-serious
doing what?
and lost the colloquialness off all of that – lost the register but why? I became ever looking but didn’t I become lost. something why and something found, or to find this.
had that doing of that I had to do, lost why, that doing to do? I too far I, me, not-so-serious forgotten. I forgotten. I forgotten all of that.
Count the I in me, and was the I that doing in return – that colour looking reducing. the turn, taken known bit.
So was colloquial the first doing of attention? what am, what is this …
(nonsense and complete sense)
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Published by aquiet
My work explores reading, writing and making within a Sound Arts Practice. I am addressing and searching for both the imaginary self and the transparent other through an expanded field of narrative; crossing and stepping within and through the boundaries and structures of public and private spaces. The linear and non-linear formations of spaces perceived through language and text, both visible and audible, aim to form new discourses of the imaginary, and the multiple identities that we portray.
The fluctuation between aurality, orality, the written word as visual (text; typed and hand written), and the spoken word through performance suggests an interplay between a singular and a plural self; the heterogeneous, through both truth and mythical dialogue that bridges a gap between the idea of accuracy and the imaginary. My work aims to project a representation and rejection of the absolute reality that visual representation can sometimes assume.
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a quiet 